.

What will TT's true time be for you?

Is TrueTyme eye-catching, ice-breaking mind-body "math-art"? Or is it a FitBit-enhancing "timewhole", one especially created for the natural-high minded? Either way, TrueTyme's localized sun & moon time (and mood) tracking -- and especially under worst case conditions, is full of colorful feature-rich surprises.

While TrueTyme can be useful to folks recovering in Intensive Care Units, or even in solitary confinement in prisons, our typical user is someone who works in a windowless job environment. Or just all day indoors. So if you do, you may want to know that working without a window nearby is now known to be a factor in all kinds of circadian rhythm problems. Things like infertility, obesity, depression. If so, try working near a window, one where you get to see the sun's journey in the sky during the day as best you can, the way farm workers do. But if you can't -- and most of us cannot, you can always consider trying out something like one of these...

1) You can seek to keep track of where you are in the day by using Time.is. It is described as the world's most accurate web-based digital clock. Of course, sooner or later you still might suffer, but at least you will always be exactly on time.

OR

2) You can use a very lovely wall clock called The Present, which does NOT show you where you are in the day NOR the night, NOR even where you are in the week NOR the month. But it does show you where you are in the year. So you still might not avoid one or more circadian rhythm-related problems, but at least you can show your colleagues a unique calendar elegantly described and marketed as a clock, one that is much endorsed by MOMA.

OR...

3) You can try TrueTyme for a while.

TT's potential benefits beyond enhanced feelings of well-being are not yet scientifically proven, but those are intriguing possibilities. One day if there is enough of a push from sufferers of circadian rhythm related ills, perhaps chronobiology scientists will do true time research. For now though, some TT users here and there are giving us details of their own color-coded MoodTyme mood journaling & analysis results and/or other other feedback. E.g., here is what avant garde artist and TrueTyme power-user, Alison Pilorz, told us about her own experiences using several of TrueTyme's features...



You can jump into a purchase of TrueTyme Full Features Forever here. But to better orient yourself so you can get more from its true time displays of sun and moon time, and other features like circadian and circalunar meditation, plus MoodTyme tracking and analysis of your moods, etc., we suggest you first take advantage of our free one week trial -- at the end of which you get to freely keep 1st level features.

Furthermore, if you prefer to know more details about TT before living with true time for a week, here from the Better Tymes Project, developer of TrueTyme, is a TTymely FAQ about our "moving forwards by moving back in time" smart clock app for Android phones, tablets and smartwatches. (And, hopefully one day soon, also for Apple and WEAR platforms -- as soon as we can find the right volunteers.)

Clocks by ColdPlay, Per Time
As “Curated” by Richard Hore

Temporary update, subject to approval by RH…

“I see the difference between what could be understood as Natural Time and Capitalist/Corporate Time as being an issue of angle and flatness — and True Tyme as a return to and then a leap forward from the sundial model. More specifically, whilst capitalist time has taken the flat circular surface of the dial and imposed a constant segmentation of its radius, your TrueTyme has re-presented us with what they omitted, being the consequences of the angle at which the sun hits the surface (of the clock, dial, earth). Time has never, is not and never will be flat! That is the fundamental flaw of Capitalist Time. And by “angle” I include interior, subjective approach and experience.” –Richard Hore, Curator

Alicia Keys & ColdPlay and Clocks

Clocks Lyrics

from A Rush Of Blood To The Head
“Clocks” is track #4 on the album A Rush Of Blood To The Head. It was written by Berryman, Guy Rupert / Buckland, Jonathan Mark / Champion, William / Martin, Christopher Anthony John.

The lights go out and I can’t be saved
Tides that I tried to swim against
Have brought me down upon my knees
Oh I beg, I beg and plead singing

Come out of things unsaid
Shoot an apple off my head
And a trouble that can’t be named
A tiger’s waiting to be tamed singing

You are
You are

Confusion never stops
Closing walls and ticking clocks
Gonna come back and take you home
I could not stop that you now know singing

Come out upon my seas
Cursed missed opportunities
Am I a part of the cure?
Or am I part of the disease? Singing

You are
You are
You are
You are

And nothing else compares
And nothing else compares
And nothing else compares

You are
You are

Home, home where I wanted to go, home
Home, home where I wanted to go, home
Home, home where I wanted to go, home
Home, home where I wanted to go, home

Songwriters
BERRYMAN, GUY RUPERT / BUCKLAND, JONATHAN MARK / CHAMPION, WILLIAM / MARTIN, CHRISTOPHER ANTHONY JOHN

Published by
Lyrics © Universal Music Publishing Group

————————————————————————————-

The Labyrinth within Natural Time

The Natural world as I see it now, is indivisible from how it was before and what it willinevitably become. Every living cell vibrates with a memory of each stage of its creation and evolutionary development. Every cell vibrates with a memory of its own demise.

These memories, these pre-faces and post-faces that weave themselves a non-Euclideanmigratory path through Natural Time, demonstrate themselves through a non-linear unveiling of the contradictory, almost Dadaistic actions that colour existence (“Peoplecan perform contradictory actions whilst taking a fresh gulp of air” Tristan Tzara, Dada Manifesto, 1918).

Action 1 does not simply precede Action 2 before giving way to A3. Instead Ax is at the same time Aa and An, so that within the Natural World and the Labyrinth of biological development it is possible to be both bestial and civilised at the same time; we are at our evolutionary peak when we are at our most base. “The foundation of development is the
sinking sun.”

The Labyrinth within Corporate Time

Although the weight of Corporate Time can be located within the hubbub of its Consumptive Force, the quiet creative power found within the roots of Production and Distribution are not to be sidelined. Within Corporate Time we often digest production with a passive disregard and in so doing metamorphose the commodity into the Magical Relic: where the totems of Magic are seen as without an examinable origin (what the Portuguese explorers called djou-djou), so too are the most invidious (perfect) commodities – the roots of origin, the realities of Production and Distribution, themselves being made unexaminable, being made spectral. Consumption within Capitalism is the darkest, most potent of sygillistic magic, hanging arches dripping in gold purging the reality from the object so that they may excrete a reality of their own: a perceived socio-economic status generating a perpetual desire of itself. It is this perpetuity of desire, the perfect fetish that is the Labyrinth of Corporate Time.

More from Richard Hore, Curator at The Brentwood Road Gallery, London, United Kingdom

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From http://www.academia.edu/2134655/A_Queer_little_God

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